Yuma is a 23-year-old woman from Tokyo. When she commutes by train to her job in a manga studio, her face is at hip height to the other passengers standing up. Yuma uses a wheelchair on account of cerebral palsy. Her deformed limbs only allow her to crawl – and to hold a pencil. The fact that her boss, a successful comic artist and blogger named Sayaka, who has a penchant for garish Fairy Kei attire, passes Yuma’s drawing ideas off as her own, dismays the talented ‘mangaka’. Even worse, her overprotective mother hardly lets her out of her sight and refuses to talk about her father. As Yuma attempts to live a more independent life, she stumbles across adult comics – manga porn – and toys with the idea of drawing some herself. The publisher advises her to gain some personal experience first. But what happens when a woman in a wheelchair asks a tout in Tokyo’s red light district to fix her up with a sex date?Director HIKARI’s humorous and endearing 37 Seconds depicts an unusual journey of self-discovery - in artistic, physical and familial terms. And, as the film’s charming protagonist learns, friends who are not prejudiced can be found anywhere.3.5。体验是本片的核心，一个被困在萎缩躯壳内跳动的心脏，压抑不住要冲出肢体的限制而去完成人生的各种体验，性爱、友谊、亲情以及与过去的和解。尽管结尾趋向了脸谱化，但是整体思路却异常令人感动。我们每个人何尝不是被禁锢在各种由道德、伦理、价值、金钱和权力构筑的残废躯壳内苟延残喘，放弃了去体验外在世界的幻想。残疾女孩演的实在太好，说话的腔调和细微的表情时时刻刻撩动心弦让人心碎，本年度最佳表演无疑。